Sunday, 29 May 2011

Sunday CD Project

A week or two ago I went into Guildford's independent record store, and bought a selection of CDs I've never heard of by bands I'd never heard of on the basis that they had pretty artwork, cool band names or amusing titles. Here's the first:

Midas Fall - Eleven. Return And Revert
What a cool name for a band, and what a lovely front cover! Seriously, look at it! Very nice. It reminded me of 65daysofstatic's artwork for their single release of 'Hole'. Nice and yellow.
I have to admit, sadly, that the music doesn't quite live up to the beauty of the band name and artwork. That said, it's still a good album. It begins sounding like a less-polished Explosions In The Sky record (small band, less production; fine by me), but I was totally taken aback when a juxtaposed female vocal entered. And I have to say, it works somehow.
Alas, the songwriting is a little lacking in places, with some tracks sounding a bit samey, but equally, all members are clearly competent musicians who know their strengths and limitations, and they use that knowledge well.
As I say most weeks, check it out! It's a solid record by a small band who I think could do quite well.

j.r.

Sunday, 22 May 2011

Sunday CD Project

As mentioned in the first indie rock-orientated QC strip in several years (thank you @jephjacques) . . .

Spiritualized – Ladies And Gentlemen We Are Floating In Space
It's an oldie this week, circa 1997. I was amazed I'd never even heard of this band until the above-mentioned QC last week. Anyway, to the point: SPACE ROCK! YES! Basically this album is an epic space-rock album (but somehow not in a highly pretentious way), comprised of very simple chords, melodies, and lyrics but played in such wonderful way that I have been utterly enthralled by it all week.
The opening title track takes the form of a round (you know, like Frere Jacques, only . . . cool) and got me hooked from the outset.
The themes of the album range from beautifully simple (possibly even naïve) love songs, to mild anti-theism (not so much of a fan of those bits, as you can imagine), to pleasant tunes about the mundane.
The closing track 'Cop Shoot Cop' is a pretty sick 17-minute wig-out, and is probably the most proggy part of the album in a '90s hip-hop kind of way.
Definitely worth a listen. Like . . . definitely.

Just read that back: I apologise for such a disjointed review. Can't be bothered to re-write though. Love you all!

j.r.

Sunday, 15 May 2011

Sunday CD Project

I cheated a little this week. This was Tori's birthday present, I was a bit low on cash. Two birds with one stone and all that.

The New Pornographers – Together
Hurrah for indie folk rock (ish) music! This is the fifth studio album (and most successful yet) from the Canadian 8-piece, and although I love their earlier works (2005's Twin Cinema especially), it's easy to see why this album has done as well as it has.
The album starts with the catchiest cello riff you'll have ever heard in your life. The whole album is littered with cheeky melodies and beautiful harmonies, and even the slower numbers (peculiarly theological 'My Shepherd', for example) still have a forceful powerpop energy that make any of the songs impossible to dislike.
If you're not convinced, the aforementioned cello riff (and proceeding song) is on their homepage in the form of the Youtube video. Splendid.
There you are then. Great album. Go find out why Tori wanted it for her birthday; you won't be disappointed.

j.r.

Friday, 13 May 2011

Age

Today I went to a concert in the music department. A friend of mine had written a piece and was performing it with another of my friends.

In the programmes for departmental concerts at Surrey, the title of the piece and the year it was written are printed, alongside the name of the composer, and their dates of birth (and death, which is applicable most of the time).

The piece my friend wrote was, therefore, dated 2010 and accompanied by his name and "1992-"

1992.

I went to a concert where one of the composers was born two years after me, and was an adult when he wrote it.

I feel old. I know I'm not, but I feel it. In the words of Jeph Jacques, sdjkfbhlsvnasejlkfisaefn.

j.r.

Sunday, 8 May 2011

Common courtesy

I just got back from Tesco. In the just-under-ten-minute walk there I bumped into two of my coursemates. In the same walk back I bumped into two of the girls from the flat above mine, and two members of CU. On each meeting, both parties stopped, did all the hello/how are you?/how was your Easter holiday? stuff, said "see you soon" and went on our way.

Literally thirty minutes later, I couldn't tell you what any of them did over their breaks, and I'm going to make the fairly grand assumption that they don't remember what I did either.

This little essay is basically a continuation of that age-old question, "why do English people ask each other how they are when they don't really care?" This is of course a generalisation, but I'm as guilty of it as most. What's more, when people ask me how I am (unless it's a certain person in a certain context), nine times out of ten, I will say something along the lines of "I'm pretty good thanks, how about you?"

In modern conversations, certainly among my generation, we've managed to streamline these mini-conversations to be able to fit into a passing dialogue. This could be anything from,
"Hey mate, how are you?"
"Yeah, good, you?"
"Yeah. Cool, see you."
"See you."
to a slightly less coherent,
"'ight?"
"'ight." (with all the appropriate nods)
So, it's a common courtesy, and that's good, it keeps human interaction going strong, and I'm in favour of that.

However, if the dialogue includes "how was your Easter?" (for example), it makes the conversation too long to have in passing. This is also fine, providing there's something you actually want to talk about with the person (for instance, one of my coursemates and I caught up for a minute or so, and it was good). But here's where it becomes a problem:

One of the people I saw on my little Tesco trip, I know by name, but we're not all that familiar with each other. Said person is very nice, and I'm sure we'd get along in a social situation, so this is meant to be anything personal. What happened was that we'd just stopped, having done the little Easter bit (which had we not stopped, would've involved us walking backwards to say), but then we had an awkward silence before saying "cheers" (I still don't know what for) and parting ways.

And it was awkward. I cringed a little bit when I'd departed.

So why do we do it? Why do we ask a question that we don't really want to know the answer to in more than three syllables? Why do we answer the same question when we can be fairly confident the other party doesn't really care either?

Of course, as I said, there are exceptions, but it seems strange that if common courtesies create awkward moments in conversation, then why do we comply to them? That's not rhetorical; I'd really like to know.

I apologise if that came over as a rant. It may well have done. It was supposed to be more observational than anything else. I'll also clarify that I'm not going to be a douche and refuse to have passing conversations; that's really not what I was trying to say!

j.r.

Sunday CD Project

What's this? It's Sunday and I'm actually posting on-time! Crazy days!

The Daydream Club – Overgrown
I heard this folky duo's 'Neon Love Song' on Tom Robinson's BBC Introducing podcast a week or two ago and was mesmerised by the discordant piano and lulling vocal harmonies. I'll be honest, I've discovered a wealth of new music this week, so I've only actually listened to Overgrown once. However, three songs have been starred on my iTunes library, so it's clear that I obviously like it.
They're an upcoming British band, so I think the least you can do is give this album a go on Spotify or something.

j.r.

Tuesday, 3 May 2011

Hope for Japan

I know there are dozens of things telling you to give money to Japan for their rebuilding operation, and I imagine that a lot of you are getting to a point of saturated apathy.

However, I am about to tell you to donate some money to the Japan effort! What a hypocrite I am! Seriously though, on the following Bandcamp page, the deal is that you donate upwards of US$5 (which at current rates is £3 or as close as makes no difference) and in return, 36 bands and artists have uploaded one of their songs, which come together to make a nice big compilation with pretty artwork!

Hope For Japan Cover Art

Told you so! And, as if the helping people, pretty artwork, and sheer quantity of music wasn't enough, you can rest assured that the quality of the music is very good; admittedly I'm only on track 3, but all three have been some pretty cool soundscapey ambient post-rock tracks (Explosions In The Sky stylee). And if you're an audiophile like me (which I doubt many of you are), you can download the tracks in lovely lovely better-than-CD-quality FLAC format!

Enough of my ramblings! Go here and buy it:


You have no excuse! If you don't buy it and then I catch you going into Starbucks I will have words!

j.r.